Q17

Further to my note on the subject of ‘alap’, in the following you will find an analytical study in bullet points, which reveals the technical part.

 Alap developed in two patterns
 Melodic
 Geometric
 Both used to build a subject – a paragraph – in the musical statement being unfolded.
 Techniques used to beautify both the above mentioned patterns.
 Observe correctness of Raga-Swarup
 Ensure inputs of emotional content suitable to the raga and specific section of the unfoldment and related ideas.
 Vary speed of execution to convey specific ideas and make phrases more vocal oriented and sustain interest.
 Introduce rhythm based phrases.
 Vary volumes in keeping with and in contrast of already executed phrases.
 Use of decorative elements i.e. Murkis and Meends to suit the mood and relate to vocal techniques.
 Unfoldment of Raga Swarup in alap stage has to follow ‘silsila’ or system prescribed in our Gharana – basic elements of which are as follows:
 Technique of Badhat building up prescribed melodic centres.
 ‘Zamin’ or foundation note of ‘Sa’ to be established and projected at the beginning and at different stages of unfoldment or Badhat.
 Observe different sections or stages of alap viz.
 Sthayi
 Antara
 Sanchari
 Abhog