General
The Teacher and the Taught
At the outset, I would like to refer to the basic objective or the theme of the Seminar. The heading of the concept note circulated to the participants, defines it as "the problems and methodology of collecting data from traditional musicians". Later the note refers to the work required...
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Scheme for Employment of Musicians
Even established musicians in the field of classical music in India, are finding it extremely difficult to earn a decent living. Whilst top ranking musicians are fairly comfortable through earnings from their concerts, it is the up and coming musician who finds it extremely difficult to...
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Music Edication In a Multicultural Society -An Indian Perspective
India is a country of differing ethnicities, communities, religions and languages, educational levels and different philosophies - a society more multi-cultural than you will find anywhere within one nation-state. Indian philosophy believes in what is known as “Unity in diversity”. No wonder...
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Guru Shishya Parampara 1
INTRODUCTION
It is truly said that the level of civilisation that a society has achieved, is closely related to the culture that it has inherited from the past. Culture sometimes defined as "Sanskar" is not developed like "instant product" that we hear about these days but is evolved over...
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Guru Shishya Parampara 2
INTRODUCTION
Importance of Education
Merit of the System
Olden Days
Present environment
Gharana system
OLDEN
Sincerity
Quality of Gurus
Quality of Shishyas
Physical facilities
Devotion loyalty
Need based
Restricted movements due to inability to travel...
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Gharana
Etawah / Imdadkhani Gharana
No one will dispute that today Sitar is one of the most versatile and popular instruments. Over the period of its evolution, it has become a very mature instrument and is capable of expressing the raga form completely without any lose even of the finest shade of the emotional expression. Various...
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Music Related
What is a Raga?
It is believed that the great sage Bharat invented the musical scale and divided the same into 22 divisions (Shrutis), some time between years 200 B.C. to 500 A.D. i.e., about 1500 years ago. It is also believed that based on this scale, the raga system was conceived somewhere around 500 A.D....
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The Sitar and its Evolution
INTRODUCTION:
Art is the spark that flies from the contact of the individual soul with the universal soul of nature. Art is Man added to Nature. It is something that reaches the innermost depths of the human being. A human being when he is stirred to the core, expresses himself by no other means...
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Synopsis – Raag as a Vehicle of Improvisation
RAAG DEFINITION (6 Dimensions)
Selection
Combination
Emphasis
Emotional content
Individual character
Universal acceptance
WHAT IS IMPROVISATION (2 Aspects)
PHYSICAL ASPECT
Treatment of individual note
Formation of musical...
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Programming and the Audience
INTRODUCTION
The subject Programming and the Audience concerns itself at a fundamental level with the idea of a “concert as a happening”. This idea describes the ideal end product of performed music characterized by a total sharing of the mood of the music between the performer and his...
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Past and Present
PAST
PRESENT
1
Clarity
Sharper
Mellow, dignified
2.
Tone
Outgoing-lower Pancham
still used
Introspective
Gandhar string introduced
3.
Temperament
Sense of hurry
More relaxed and involved
4.
Maturity
Youthful eagerness
Experienced ease...
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Talim Related
The Raga : From the Drop to the Ocean
The raga system is a uniquely ingenuous product of the Indian musical mind. It provides the framework within which the musician can simultaneously perform the roles of composer and performer through the process of improvisation. In this paper, I propose to deal with the basic...
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Talim
Significance
The word 'Talim" signifies serious and deeper values as compared to the connotation of the word "Tuition" or "Class room teaching” in the modern sense. Though Talim has undercurrents of the Urdu language, it underscores the spirit and philosophy of music...
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Research on Instruments
Traditionally, a majority of Indian musical instruments are hand-made and the art of "making” of instruments is passed on from generation to generation, similar to the process of imparting the knowledge of Indian classical music itself. Whilst there are innumerable merits in this traditional...
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Evolution of the Indian Melody
To be able to appreciate the essence of Indian Music it is necessary to understand various aspects of the same apart from its History. It would be appreciated that we should understand :
1. How music was rendered through o few musical notes many years ago
2. How from these notes a scale was...
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Attributes of Raga
1. The structure of a raga should contain at least five notes. A raga can be categorised as either (a) Audav (b) Shadav (c) Sampurna.
2. Ragas having five or six notes in the Aroha and seven notes or notes other than used in the Aroha in the Avaroha, could still be called Sampurna according to...
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