Guru Shishya Parampara 1

INTRODUCTION It is truly said that the level of civilisation that a society has achieved, is closely related to the culture that it has inherited from the past.  Culture sometimes defined as “Sanskar” is not developed like “instant product” that we hear about these days but is evolved over centuries and Indian culture- is a… Continue reading Guru Shishya Parampara 1

Guru Shishya Parampara 2

INTRODUCTION Importance of Education Merit of the System Olden Days Present environment Gharana system OLDEN Sincerity Quality of Gurus Quality of Shishyas Physical facilities Devotion loyalty Need based Restricted movements due to inability to travel – even the  knowledge of existence of Gurus PRESENT SITUATION Urbanisation Instant music Lack of humility Media -Rs 40/- Guru… Continue reading Guru Shishya Parampara 2

Evolution of the Indian Melody

To be able to appreciate the essence of Indian Music it is necessary to understand various aspects of the same apart from its History. It would be appreciated that we should understand : 1. How music was rendered through o few musical notes many years ago 2. How from these notes a scale was invented,… Continue reading Evolution of the Indian Melody

Etawah / Imdadkhani Gharana

No one will dispute that today Sitar is one of the most versatile and popular instruments. Over the period of its evolution, it has become a very mature instrument and is capable of expressing the raga form completely without any lose even of the finest shade of the emotional expression. Various stages through which a… Continue reading Etawah / Imdadkhani Gharana

Etawah / Imdadkhani Gharana

Etawah / Imdadkhani Gharana No one will dispute that today Sitar is one of the most versatile and popular instruments. Over the period of its evolution, it has become a very mature instrument and is capable of expressing the raga form completely without any lose even of the finest shade of the emotional expression. Various… Continue reading Etawah / Imdadkhani Gharana

Element of Improvisation in Indian Music

With the genius of Indian Music having evolved the Raga system, it is useful to discuss how the Indian Musician expresses himself within the framework of a particular Raga through the method of improvisation. We shall attempt to analyse the different aspects of this element of improvisation in Indian Music which would include sections on… Continue reading Element of Improvisation in Indian Music

Classical Music: Market Forces or Patronage?

This paper was presented Pandit Arvind Parikh, at a seminar on this subject hosted by the Sangeet Natak Akademi, New Delhi. We are considering the changing socio–economic and technological environment of classical music –Vidvatbhogi Sangeet [music for the elite] — in contrast to popular music — Janatabhogi Sangeet [music for the masses]. Obviously, these classifications… Continue reading Classical Music: Market Forces or Patronage?

Changing Trends in Instrumental Music Over Last 60 Years

INTRODUCTION Instrumental music has undergone quite a radical change in the last 60 years . The se changes are reflected both in terms of physical and stylistic changes. In fact, these two dimensions i.e., physical and stylistic have influenced each other and the resultant product moulded through several evolutionary process is both refined and mature.… Continue reading Changing Trends in Instrumental Music Over Last 60 Years

Poem7 बिलावल

बिलावल में लिया ग – रे – म – ग जैसा गौड का अंग, और बिहाग का प – ग – म – ग जैसा चलन बिलावल के संग तो बने सरपर्दा बिलावल का रंग पूर्वांग में जयजयवंती कि छाया बने कुकुभ बिलावल का साया रे – ग – म – ग – रे –… Continue reading Poem7 बिलावल

Poem6 गुंजी कान्हरा, हुस्सैनी कान्हरा, मुद्रिकी कान्हरा, बसंती कान्हरा, लाचारी कान्हरा, लंकेश्री कान्हरा

नायकी भी है अड़ाना, सुहा, सुघराई के जूथ में फर्क है आरोही-अवरोही में चलन का प्रयुक्त में जब बागेश्री, काफी, मालकौंस, मालगुंजी और बसंत जोड़ो दरबारी में, तो बने सकीर्ण रंग ये पांच प्रकार इसतरहा से आये समझ सबके संग और भी है प्रकार कान्हरा के, जो बने है अपनी अपनी समझ से कहना मेरा… Continue reading Poem6 गुंजी कान्हरा, हुस्सैनी कान्हरा, मुद्रिकी कान्हरा, बसंती कान्हरा, लाचारी कान्हरा, लंकेश्री कान्हरा